Makart, Hans
Austrian Academic Painter, 1840-1884 Austrian painter. He studied (1860-65) at the Akademie in Munich under the history painter Karl Theodor von Piloty whose influence is evident in Makart's Death of Pappenheim (1861; Vienna, Hist. Mus.). Makart visited London and Paris in 1862 and Rome in 1863. The Papal Election (1863-5; Munich, Neue Pin.) reveals Makart's skill in the bold use of colour to convey drama as well as his virtuoso draughtsmanship. Two decorative triptychs, Modern Cupids (1868; Vienna, Zentsparkasse), and the Plague in Florence (1868; Schweinfurt, Samml. Schefer), brought Makart both fame and disapproval (mostly because they lacked a literary original) when exhibited in Munich in 1868. His plan for the second work
   1 2
 
 Prev Artist   Next Artist 
Makart, Hans Abundantia oil painting


Abundantia
Medium Oil on canvas
Painting ID::  70867 		Makart, Hans
Abundantia
Medium Oil on canvas
   
   
     
Makart, Hans Portrat Dora Fournier oil painting


Portrat Dora Fournier
Deutsch: Öl auf Holz Dimensions 145.5 x 93 cm (57.3 x 36.6 in) cyf
Painting ID::  81729 		Makart, Hans
Portrat Dora Fournier
Deutsch: Öl auf Holz Dimensions 145.5 x 93 cm (57.3 x 36.6 in) cyf
   
   
     
Makart, Hans An Egyptian Princess oil painting


An Egyptian Princess
Oil on panel, Private Collection Date 1875(1875) cyf
Painting ID::  86294 		Makart, Hans
An Egyptian Princess
Oil on panel, Private Collection Date 1875(1875) cyf
   
   
     
         1  2
Prev Artist       Next Artist     
     Makart, Hans
     Austrian Academic Painter, 1840-1884 Austrian painter. He studied (1860-65) at the Akademie in Munich under the history painter Karl Theodor von Piloty whose influence is evident in Makart's Death of Pappenheim (1861; Vienna, Hist. Mus.). Makart visited London and Paris in 1862 and Rome in 1863. The Papal Election (1863-5; Munich, Neue Pin.) reveals Makart's skill in the bold use of colour to convey drama as well as his virtuoso draughtsmanship. Two decorative triptychs, Modern Cupids (1868; Vienna, Zentsparkasse), and the Plague in Florence (1868; Schweinfurt, Samml. Schefer), brought Makart both fame and disapproval (mostly because they lacked a literary original) when exhibited in Munich in 1868. His plan for the second work

Xiamen China Wholesale Stretched Oil Paintings Wholesale Picture Frames,Photo Frames, Moulding Beveled Mirrors

http://www.chinaoilpainting.com

China Oil Painting Studio Team